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The Archaeology of Medieval Germany - An Introduction (Paperback): Gunter P. Fehring The Archaeology of Medieval Germany - An Introduction (Paperback)
Gunter P. Fehring; Translated by Ross Samson
R1,598 Discovery Miles 15 980 Ships in 12 - 17 working days

Medieval archaeology is a relatively young discipline. It relies heavily on and contributes to the neighbouring disciplines of history and geography as well as certain of the natural sciences. The kinds of sources investigated in the context of medieval archaeology also cast light on many aspects of life in later centuries. The main sources used are: graveyards, churches and churchyards; castles and fortifications; rural and urban settlements; technical production sites and routes of communication. Closely allied to these are the numerous finds of small objects of everyday life, from cutlery and tools to animal remains and grain. This book is a comprehensive discussion of what can be established from the use of such materials about the culture and daily life of medieval Germany. Each subject is augmented with the use of many illustrations. Besides methodological questions, the author considers what can be learnt about the history of settlement and architecture, of technology, of economic and social matters, of churches and missions, and of population, diet and vegetation.

The Archaeology of Medieval Germany - An Introduction (Hardcover): Gunter P. Fehring The Archaeology of Medieval Germany - An Introduction (Hardcover)
Gunter P. Fehring; Translated by Ross Samson
R4,141 Discovery Miles 41 410 Ships in 12 - 17 working days

Medieval archaeology is a relatively young discipline. It relies heavily on and contributes to the neighbouring disciplines of history and geography as well as certain of the natural sciences. The kinds of sources investigated in the context of medieval archaeology also cast light on many aspects of life in later centuries. The main sources used are: graveyards, churches and churchyards; castles and fortifications; rural and urban settlements; technical production sites and routes of communication. Closely allied to these are the numerous finds of small objects of everyday life, from cutlery and tools to animal remains and grain. This book is a comprehensive discussion of what can be established from the use of such materials about the culture and daily life of medieval Germany. Each subject is augmented with the use of many illustrations. Besides methodological questions, the author considers what can be learnt about the history of settlement and architecture, of technology, of economic and social matters, of churches and missions, and of population, diet and vegetation.

The European Archaeologist: 1 – 21a - 1993 – 2004 (Paperback): Henry Cleere, Karen Waugh, Ross Samson The European Archaeologist: 1 – 21a - 1993 – 2004 (Paperback)
Henry Cleere, Karen Waugh, Ross Samson
R1,000 Discovery Miles 10 000 Ships in 12 - 17 working days

"This volume gathers together the first 10 years of The European Archaeologist (ISSN 1022-0135), from Winter 1993 through to the 10th Anniversary Conference Issue, published in 2004 for the Lyon Annual Meeting. In reality, like the Journal of European Archaeology, The European Archaeologist (TEA) was born before the official foundation of the EAA at Ljubljana in September 1994, and began publication the year before. The first issue announces the Ljubljana Inaugural Meeting, and documents the work of the International Steering Committee which promoted the Association. Readers can then trace the initial development of their brainchild, from the euphoria of a post-1989 Europe where Archaeologists could at last freely communicate to the consolidation of the Association as a key player in the Archaeology of the continent. Perhaps the most striking thing, reading through these early issues of TEA, is how the central concerns of the EAA, for heritage, commercial and academic archaeology have remained central to its content. This volume is published as the Association meets in Istanbul for its 20th Annual Meeting." –from the preface by Mark Pearce

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